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Sincethen, they also produced volumes 2, 3, and 4 of additional songs, as well asspecialty real books each devoted to a specific composer, such as Miles Davis,Duke Ellington, and Bud Powell. In 2004, the Hal Leonard Corporation produced TheReal Book Sixth Edition, which was the first commercial book of this kind.
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Until recently, the most widely used book in jazz circles was TheReal Book Fifth Edition, although there were also volumes 2 and 3 of additionalsongs in the same format. They had to be transcribed fromrecordings. This book was evenmore essential than the fakebooks of popular songs, since many of the tunes init were not published in any other form. In the jazzcommunity, the lingua franca fakebook came to be called "The Real Book", obviously a pun. At some point, possiblywith the books published by Charles Hansen, copyright notices were publishedwith each song and, presumably, the publisher paid for the rights to publishthose songs. Since that time,hundreds of different fakebooks have been published.
#POCKET GUITAR SONGBOOK PROFESSIONAL#
Thesebooks were sold "under the counter" in many music stores, and were bought bymany musicians, amateur and professional alike. The second part of thedisclaimer was probably a euphemism, intended to defuse the fact that theunknown publisher did not hold copyright for the tunes contained therein. The disclaimer onthe cover reads: "This collection of popular music has been compiled to furnisha compact library of the most requested songs for the professional musician andis NOT INTENDED TO BE SOLD TO THE GENERAL PUBLIC".
#POCKET GUITAR SONGBOOK FULL#
To get an idea of how it appeared, imagine a comb-bound book aboutan inch thick full of pages that contained typically three leadsheets on a page,as depicted below.Ĭover of an edition of the first fakebook To my knowledge, it was called "Over1000 Songs". The firstfakebook was thus born, in the 1950's. play it even if theywere unfamiliar with it, hence the name "fakebook".Įventually someonegot the idea that, rather hauling around a box full of cards, it would besimpler to copy the cards onto pages and put them into a book. These would help them "fake" the song, i.e. Before the first fakebooks, musicians would subscribe to aservice known as "Tune-dex" which issued note cards containing leadsheets forpopular songs. This is how fakebooks got their startin the first place. Insome ways, the leadsheet is a more appropriate representation of the tune,since it does not include the superfluous accompaniment information.įor someprofessional musicians and, more importantly, for buskers, a book containingleadsheets of songs likely to be requested is a more compact and convenient wayto perform a large repertoire of tunes. This also leaves it up to the performerto decide on the style and accompany the melody in the manner she chooses. a piece of sheet music.Īs you can see, aleadsheet offers a much more compact representation, because it does notincluding the stylized accompaniment. Below,you can get an idea of a leadsheet vs. Ī leadsheet is apiece of music that represents the bare bones of a tune, specifically a melodyline, possibly with words, and the accompanying chords in symbolic form.Leadsheets contrast with sheet music in that the latter contain accompanyingparts, typically piano, in addition to the elements of the leadsheet. A fakebook is indeed a type of book, specifically it isa book containing leadsheets.
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In thisarticle, I describe some of the aspects of fakebooks that might be of interestto the new user.Īlthough it isseen both ways "fakebook" and "fake book", I dislike the latter terminologybecause it confuses the subject with a fake book, that is, something that appears tobe a book, but is not. Each tune generally fits on one or two pages, in contrast to sheetmusic, so I can get an overview of the entire tune at a glance. I'm writing thisnote because I love tunes and, in particular, I like reading them in fakebooks.This gives me access to a large set of tunes in a relatively small amount ofspace.